Skylum’s Aurora HDR software has been growing on me. When it first came to Windows, the performance wasn’t that great, and it didn’t quite have all the features of the Mac version. But it’s come a long way since then. It’s seen some pretty major performance increases, along with a lot of new features. And today, […]
The post Aurora HDR 2019 comes with new AI processing engine and LUT support appeared first on DIY Photography.
John Gravett shows us how to photograph standing stones.
Act fast and you can get your hands on a Datacolor Spyder5PRO for £110.50!
Not all blur is bad as you’ll find out if you read this article.
Have you ever heard the phrase “light is everything” or perhaps “composition is everything”? I know I have many times. But they can’t both be everything, that’s not possible. So what is really going on? Obviously, there is at least a grain of truth to both expressions. But are there other factors that make great photos?
As it turns out, there are and things are not quite as simple.
A photo with very poor composition will fall apart and it will never be a great photo. But a decent composition capturing the most fantastic light can be a good photo, if not a great one. On the other hand, a great composition in poor light can make a dull photo.
Creating a photo almost always includes some sort of compromise. Either the light is not great, the timing is not perfect, or it is not possible to get to the ideal location, because you can’t walk in thin air or on water. Or maybe the prime elements in the scene are not arranged perfectly.
There are so many factors that have to come together at the exact same time, that it seems impossible to make a perfect photo. And that is part of your life, as a photographer, but knowing what counts, can make your success rate of making great photos higher.
It is a number of things that make a great photo and composition and light are obviously on that list, but what is the rest?
I find that there a five important factors that combine to make great photos. If you can maximize all five you will have a perfect photo. However, creating such a photo is really rare even for the very best photographers.
Let us have a look at them and then discuss in more detail.
You don’t have to maximize all five to make a great photo. A decent composition with fantastic light and timing, with fantastic post-processing, can make a great photo. The same goes for an outstanding composition. You will be able to make up for the lack of light to some extent. So you just have to balance the five factors without dropping any completely.
If one of the factors is somewhat lower, it can be compensated by one or more of the others if they score high. You could see it as the sum of the five pillars, that gives an indication of how great a photo is, as long as you don’t have any hitting the bottom.
A completely failed composition, bad light, completely missed timing, non-existent story and poor image processing will tear a photo into pieces.
The factors are very often interconnected. For instance, the composition is often connected to the timing of capturing a moving object. And the light is connected to the timing, in the case of the natural light. The composition can also be connected to the light, a shadow or some light beam or another light source.
They are all dependent on each other, which increases the complexity. No wonder it is hard to create great photos! And no wonder some types of photographers, like those who do commercial studio and model photography, try to control some of the factors – namely the light – to be able to get a larger success rate on their photos.
The composition is something that comes naturally to some people while others have to learn it. It is a fundamental skill to master as a photographer. If it doesn’t come naturally to you, try to copy other compositions you like, in your own way at different locations. That will quickly improve your skills.
The light can be many different things. There’s hard light, soft light, defused light, warm light, cold light, studio flash, the natural light just to mention some of the most commonly known types. Light is a big topic and it requires some research to get the full understanding. But that is not required to create great photos.
If you are into landscape photography, you will increase the quality of your photos by avoiding a blue sky in the middle of the day. Instead, go for sunrise and sunset times. The time after sunrise and before sunset is called the Golden Hour. Blue Hour also provides excellent light for landscape photography.
If you are into flash photography you would do well by experimenting with an off-camera flash, rather than on-camera. As well try high-speed sync flash which opens doors for creative flash photography.
My advice is to learn about the type of light that is relevant to the kind of photography you enjoy doing.
The timing, depending on the type of photography you do, can be a matter of capturing that instant of a second that makes a difference. You have to capture a moment – the magic moment.
The moment of a fleeting kiss, the instant a football player kicks the ball, the moment the wave crash onto a rocky shore with a huge splash. Or as in this case, the instant four people put the same foot on the ground while walking at the same distance.
Other moments are more slow, like a sunrise. Nevertheless, it is still about timing.
You have to get up early, very early sometimes, to get to the location. That is timing. Or as in this case, getting a photo without any people, at the central station at blue hour is about timing too.
Empty Central Station in Copenhagen.
The story of a photo can be anything ranging from “what delicious crumbles sitting on top of that cupcake”, to “what a fantastic round boulder on that beach” to a “touching relation between people”. A story can be somewhat abstract, yet there has to be a purpose of why you choose to include what you do in the photo.
Sometimes a story is complex and deep, while at other times it is simple “that is a nice boulder sitting in a beautiful landscape“.
You may not be equally good at telling all kind of stories, through your photos. This is perfectly alright and it is fine to stick to what you do best.
I find that story and timing can be very tightly connected as in this case of the image below. Capturing a gondola on a super busy Canal Grande in Venice, and making it seem like a peaceful romantic moment is not as easy as it may sound.
If you can get a spot, you can literally stand on the Rialto bridge for hours, while you enjoy the view. The view is full of activity and happy people.
The last and fifth factor could raise some discussion. One that I do not want to get into here. And if you are a strong believer in Straight Out Of Camera (SOOC) photos, this point will not be relevant to you.
If you believe in photo editing, you may also know that it is often the thing that transforms a photo from flat to an image that pops. In some cases, that is what makes or breaks a photo.
Image editing or post-processing is by no means easy and there are a lot of opinions out there. But even simple things like, adjusting white balance, exposure and contrast can be the difference that makes a photo pop.
If you are into documentary photography, there are certain things you are not allowed to do. You do not meddle with reality. But if you don’t do that kind of photography, it is in the post-processing phase that you can make your artistic interpretation.
Before and After. A creative interpretation.
Image editing is a race car without a seatbelt. There are a number of things that can totally ruin your image and if you are not careful. Some of the classic problems from over-processing include halos, too contrasty and over-saturation, but there are many others.
This wedding photo of Alexander and Mia was shot in the worst possible light of midday with a blue sky. In post-processing, I have created a softer and warmer feeling to compensate.
A reason to build up your skills in image processing is that you can compensate to some degree for the other factors. You can enhance the good bits, and hide the less desired parts. Remove unwanted objects to present your photo is the best possible way, from what you captured in your camera.
A great side effect of upping your editing skills and paying some real attention to your photos is that you will get a better understanding of what make great photos. You will find things that degrade your photo (why did I include that dustbin?) and learn to avoid them next time you are on location shooting.
You learn by making mistakes and trying to fix them. The more times you fail, the better photographer you will end up being.
In photography, there are no absolutes. Not two people have the same opinion. We do not all like the same, things so what some people would deem a perfect photo, others may not deem perfect. Yet, there are some tendencies and you could do worse, than paying attention to what people like and don’t like if you want to create successful photos.
Any critique is an opportunity to learn something new.
The post What Makes Great Photos? 5 Factors That Can Take Your Images From Good to Great appeared first on Digital Photography School.
Camera bag manufacturer Lowepro has launched the FreeLine BP 350 AW, an all new camera backpack for mirrorless and DSLR kits that features the all-new QuickShelf technology.
On the outside, the bag doesn’t appear much different than Lowepro’s other offerings. The bag is constructed of a ‘high-grade Carbonate Coated Nylon 66 exterior’ with ‘weather proof YKK zippers and robust exterior attachments featuring premium metal clips.’ If the weather-resistant fabric isn’t enough to protect your gear in harsh weather, Lowepro also includes a matching All Weather AW Cover.
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Like all good things, it’s what on the inside that counts. This is the first bag from Lowepro to feature its new QuickShelf technology. According to Lowepro, QuickShelf is an ‘adaptive interior divider system [that] unfolds into 3-tier shelf or folds flat to remove for open interior space.’ In addition to the three tiers, pop-in lateral dividers and an additional gearbox help further divy up the space so you can better organize your camera kit as you see fit. Two easy-access side pockets with additional storage serve as a quick way to get to your gear, even while the backpack is still on your shoulders.
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According to Lowepro, the FreeLine BP 350 AW can hold a full-frame DSLR alongside a mounted 70-200mm F2.8 lens, as well as a drone and other lenses or accessories. They don’t show any mirrorless-only kits in the photos, but from the looks of it, it could easily hold a pair of full-frame mirrorless cameras and a few lenses.
The FreeLine BP 350 AW also features Lowepro’s trademarked CradleFit laptop compartment that can fit up to a 15″ laptop and an ActivZone Back Panel for more comfort when carrying a lot of gear.
The FreeLine BP 350 AW is available now for $260.
My introduction to “real” macro photography came more than a decade ago when I was reviewing the Canon MP-E 65mm F/2.8 1-5x Macro lens and Canon’s macro strobe setup. I had shot macro before, but this was my first time shooting with a lens that captured images greater than life-size, and it was a mesmerizing experience.I remember buying flowers so that I’d have a steady object to practice with, and I set them out on the dining room table in a nice sunny spot. At first, I took some images at the least magnified setting, the 1x power, and the images were lovely. With the Canon strobe system and some tinkering, I could really control focus and background lighting, and I took some nice photos.
